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treatise on modern art with 10 original woodcuts and text by Vassily Kandinsky; first edition

Uber das Geistige in der Kunst, 1912

Vassily Kandinsky; Publisher: R. Piper and Co. , Munich

Not on View

%C2%A9 Estate Carlos M%C3%A9rida %2F Licensed by VAGA at Artists Rights Society %28ARS%29%2C NY

Dance of the Santiagos, 1937

Carlos Mérida

Not on View
tan and red on black ground; text includes date '1.3.2.1933'

Copyright of the artist%2C artist%27s estate%2C or assignees

Invasion, 1933

Victor Shestakov

Not on View

Falls in Alum Rock Park, 1889

George Spiel

Not on View
wheel with spokes on stand; sphinx-like creature in a crown holds a sword and sits on top of the wheel; two creatures with tails hang on to the wheel on either side; Roman numeral X printed on top border and LA ROUE DE FORTUNE printed on bottom; from a deck of 78 hand-colored triumph playing cards

The Wheel of Fortune, 1751

Claude Burdel

Not on View
light tan rectangle with organic embossed design; smaller darker tan rectangle inside first, with ovoid shapes in tan shades

%C2%A9 Artists Rights Society %28ARS%29%2C New York %2F ADAGP%2C Paris

Untitled, 1970

Max Ernst

Not on View
Plate 5

The Woman on the Beast, 1914

Natalia Sergeevna Goncharova; Publisher: V. N. Kashin, Moscow

Not on View
Plate 3

The British Lion, 1914

Natalia Sergeevna Goncharova; Publisher: V. N. Kashin, Moscow

Not on View

Cover from War: Mystical Images of War, 1914

Natalia Sergeevna Goncharova; Publisher: V. N. Kashin, Moscow

Not on View
Plate 4

The French (Gallic) Rooster, 1914

Natalia Sergeevna Goncharova; Publisher: V. N. Kashin, Moscow

Not on View
Plate 8

Holy Vision (Apparition), 1914

Natalia Sergeevna Goncharova; Publisher: V. N. Kashin, Moscow

Not on View
binding: maroon leather with gold lettering and designs after Grasset; endpapers: colored marbled

Histoire des Quatre Fils Aymon, Très Nobles et très Vaillons Chevaliers, 1883

Charles Gillot; Artist: after Eugène Samuel Grasset; Author: Renaud de Montauban; Publisher: H. Laurette, Editeur, Paris

Not on View
blue ground; simplified music stand in yellows, orange, red and white; small red and yellow text at top and LRC

Lincoln Center for the Performing Arts: Music, 20th century

Per Arnoldi; Printer: Kai Svendsen, Denmark; Publisher: Butler-Zunkel, New York

Not on View
red ground; pair of blue and yellow opera glasses; small text in yellow and blue at top and bottom

Lincoln Center for the Performing Arts: Opera, 20th century

Per Arnoldi; Printer: Kai Svendsen, Denmark; Publisher: Butler-Zunkel, New York

Not on View

Copyright of the artist%2C artist%27s estate%2C or assignees

Greetings from the House of Weyhe, 1928

Mabel Dwight; Printer: George C. Miller

Not on View
blue ground; lighter blue coat rack with red, white and blue comedy and tragedy masks with large noses hanging from hooks; small yellow and red text at top and LRC

Lincoln Center for the Performing Arts: Theater, 20th century

Per Arnoldi; Printer: Kai Svendsen, Denmark; Publisher: Butler-Zunkel, New York

Not on View
red ground; blue and white director's chair; small text in blue and yellow at top and LLC

Lincoln Center for the Performing Arts: Film, 20th century

Per Arnoldi; Printer: Kai Svendsen, Denmark; Publisher: Butler-Zunkel, New York

Not on View
Illustrated book featuring 29 lithographs, 17 etchings, and 178 wood engravings. Custom-designed binding: special purple morocco with gilt lettering; endpapers: specially gilded and colored paper (blues, purples); slipcase: covered with colored paper similar to end paper.

The Life of Saint Monica, 1930

Ambroise Vollard; Illustrator: Pierre Bonnard; Publisher: Ambroise Vollard, Éditeur; Engraver: Aimé Jourde, Paris, France; Lithographer: Aimé Jourde, Paris, France

Not on View
landscape; crayon-like image of a building (barn or house) at center of landscape with treesaround it; a river and/or road in foreground

Print, Date Unknown

Not on View
thatch roofed buildings at left behind fence; two-wheeled cart at right; other building at center and right

The Large Thatched Cottages, 1881

Félix Buhot

Not on View
blue image of farm and fields, with electrical poles at left; farm house, barn and other buildings at right

%C2%A9 Larry Welo

Fallow, 2007

Larry Welo

Not on View
abstract image--may be abstracted landscape with tree in URC; jagged lines and various types of shading/hatching

Copyright of the artist%2C artist%27s estate%2C or assignees

Falaises (Cliffs), 20th century

George Ball

Not on View
page from a book (pages 35 and 36); recto, top image: large Victorian houses; house on left is brick, house on right is wood frame; figures on sidewalk, in front of houses and on porch of house at right; carriages on street; "RESIDENCE OF C. H. BIGELOW, COLLEGE AVENUE, ST PAUL, MINN." and "RESIDENCE OF E. M. DEANE, COLLEGE AVENUE, ST PAUL, MINN." printed below image; recto, bottom image: factory complex with three buildings, with figures, horses and carriages around them; lumber at right; trains in LLC and center left; "ST. PAUL HARVESTER WORKS" and other text printed below image; verso, top image: large Victorian house with cupola and fountain in front; figures in front of house; carriages and horses on street; "J. C. BURBANK'S RESIDENCE, SUMMIT AVE. / ST. PAUL, MINN." printed below image; verso, bottom image: Victorian house with figures on street; two horses and carriages; "RESIDENCE OF R. BARDEN, COR. 6TH & MARIA AVE. DAYTONS BLUFF, ST PAUL, MINN." printed below image

St. Paul Harvester Works, 1875

Not on View
four figures on a grey street; dark blue sky; black structure at left with two signs--blue and white sign printed "JOB" and yellow, black and white sign with a vase and "ENEDICTIINE" in white

Boulevard Malesherbes, le soir, 1898-1899

Amédée Joyau

Not on View
abstract image; printed in black; linear design with football shape at bottom and organic vertical shape at center; printed on thin tissue paper; mounted in front of piece of black paper which is affixted to white coated cardstock

%C2%A9 Estate of Naum Gabo

Untitled (Opus Four: The Lyrebird), 1950

Naum Gabo

Not on View
city piazza with central boat-shaped fountain; five long flights of step up to a high building with two towers in URC; other four and five-level buildings around edges of piazza; figures and carriages throughout

Veduta di Piazza di Spagna, 1750 (printed 1800-07)

Giovanni Battista Piranesi

Not on View
image of men and women on a city street with buildings on either side of walkway and large central archway surmouted with bust and eagles decorated with lights; bright hand coloring in red, green, purple, blue and orange; text at bottom and top, including, "Devise d'une Illumination."

Untitled [view of city street with lights and figures], 1770

Georg Balthasar Probst

Not on View
trompe-l'oeil image of various pieces of printed paper--black and white print of figures in a ruined landscape, newspaper front page in German, color image of buildings, images of soldiers, portrait of a woman wearing black headgear, still-life with bottles and food, flower, playing cards, sheet music--on a knotty wood background

Copyright of the artist%2C artist%27s estate%2C or assignees

Trompe-L'Oeil, 19th-20th century

Carl Friedrich Windels

Not on View
two women carrying bundles standing at the top of a staircase

Laundresses, 1893

Auguste Louis Lepère

Not on View
primitive "schoolgirl" drawing of seminary and school grounds with brick buildings and white building, gazebos and sheds; black oval border with yellow flowers in corners

Untitled, 19th century

Unknown American, 19th century

Not on View
black and grey featureless head, except PL ear and large red lips, in front of grey chainlink and purple ground

%C2%A9 Norman Catherine

Condemned, 1981

Norman Catherine; Printer: Broederstroom Press, Johannesburg, South Africa

Not on View
photo of a man in a shirt and tie, drawing a car on hot pink paper; eyes of man covered with hot pink rectangle with image of green Studebaker; painterly text on image, black and green text at bottom; Galerie Impressions 1900-1950 exhibition poster

Loewy Draws the Studebaker, 1987

Galerie Impressions

Not on View
yellow ground; pair of legs--one blue, one orange; small text in orange at top and bottom

Lincoln Center for the Performing Arts: Dance, 20th century

Per Arnoldi; Printer: Kai Svendsen, Denmark; Publisher: Butler-Zunkel, New York

Not on View
head and torso of a yelling man with open mouth and closed eyes; red, yellow and green skin; pink inside mouth; blue background

%C2%A9 Norman Catherine

Self-portrait, 1980

Norman Catherine; Printer: Broederstroom Press, Johannesburg, South Africa

Not on View
black silhouette of saxophone player against blue background; black metal frame

%C2%A9 Niklaus Troxler %2F Artists Rights Society %28ARS%29%2C New York

Third Kind of Blue, 1987

Niklaus Troxler; Printer: Siebdrukerei Bosch AG

Not on View
black geometric shapes, triangles and squares with cutouts, on white background; black metal frame

%C2%A9 Niklaus Troxler %2F Artists Rights Society %28ARS%29%2C New York

New N.Y. Jazz, 1987

Niklaus Troxler; Printer: Siebdrukerei Bosch AG

Not on View
red and green skyscrapers with yellow saxophones in front

%C2%A9 Niklaus Troxler %2F Artists Rights Society %28ARS%29%2C New York

29th Street Saxophone Quartet, 1986

Niklaus Troxler; Printer: Siebdrukerei Bosch AG

Not on View
yellow and blue abstracted figure playing horn (?)

%C2%A9 Niklaus Troxler %2F Artists Rights Society %28ARS%29%2C New York

Bob Stewart Group, 1987

Niklaus Troxler; Printer: Siebdrukerei Bosch AG

Not on View
red and green skyscrapers with yellow saxophones in front; silver metal frame

%C2%A9 Niklaus Troxler %2F Artists Rights Society %28ARS%29%2C New York

29th Street Saxophone Quartet, 1986

Niklaus Troxler; Printer: Siebdrukerei Bosch AG

Not on View
black silhouette of saxophone player with squiggly lines on left side of body; on white background; silver metal frame

%C2%A9 Niklaus Troxler %2F Artists Rights Society %28ARS%29%2C New York

Jazzplakate Von Niklaus Troxler, 1986

Niklaus Troxler; Printer: Siebdrukerei Bosch AG

Not on View
red, yellow and green abstracted hands and instruments of musicians

%C2%A9 Niklaus Troxler %2F Artists Rights Society %28ARS%29%2C New York

Hermeto Pascoal e Grupo, 1985

Niklaus Troxler; Printer: Siebdrukerei Bosch AG

Not on View
abstracted music note in yellow, green, white and salmon against blue background; silver metal frame

%C2%A9 Niklaus Troxler %2F Artists Rights Society %28ARS%29%2C New York

Jazz Festival Willisau, 1987

Niklaus Troxler; Printer: Siebdrukerei Bosch AG

Not on View
hot pink, yellow, green, maroon and white saxophone player; white metal frame

%C2%A9 Niklaus Troxler %2F Artists Rights Society %28ARS%29%2C New York

Jazz Festival Willisau, 1983

Niklaus Troxler; Printer: Siebdrukerei Bosch AG

Not on View
white line drawings of instruments and abstract shapes against green background; silver metal frame

%C2%A9 Niklaus Troxler %2F Artists Rights Society %28ARS%29%2C New York

Jazz Festival Willisau 86, Volksmusig und Jazz, 1986

Niklaus Troxler; Printer: Siebdrukerei Bosch AG

Not on View
alternating yellow and blue text that overlaps; silver metal frame

%C2%A9 Niklaus Troxler %2F Artists Rights Society %28ARS%29%2C New York

McCoy Tyner Sextet, 1980

Niklaus Troxler; Printer: Siebdrukerei Bosch AG

Not on View
top half is red silhouette of saxophone player on blue; bottom half is blue silhouette of drummer on red; silver metal frame

%C2%A9 Niklaus Troxler %2F Artists Rights Society %28ARS%29%2C New York

Sunny Murray/ David Murray, 1986

Niklaus Troxler; Printer: Siebdrukerei Bosch AG

Not on View
black line drawing of downtown area with skyscrapers with yellow saxophones; black metal frame

%C2%A9 Niklaus Troxler %2F Artists Rights Society %28ARS%29%2C New York

Arthur Blythe Quartet, 1982

Niklaus Troxler; Printer: Siebdrukerei Bosch AG

Not on View
text with blue, green, yellow, red and black illustration of toucan and face of person with open mouth within text; silver metal frame

%C2%A9 Niklaus Troxler %2F Artists Rights Society %28ARS%29%2C New York

Tania Maria, 1988

Niklaus Troxler; Printer: Siebdrukerei Bosch AG

Not on View
blue geometric shapes against yellow background; three musicians at bottom; silver metal frame

%C2%A9 Niklaus Troxler %2F Artists Rights Society %28ARS%29%2C New York

A Little Westbrook Music, 1988

Niklaus Troxler; Printer: Siebdrukerei Bosch AG

Not on View
American flag with song notes in place of stars; on black background with red along L edge and in UR and LR corners; black metal frame

%C2%A9 Niklaus Troxler %2F Artists Rights Society %28ARS%29%2C New York

Carmen McRae Songbook, 1988

Niklaus Troxler; Printer: Siebdrukerei Bosch AG

Not on View
red, blue and yellow squiggles as notes on white background; black metal frame

%C2%A9 Niklaus Troxler %2F Artists Rights Society %28ARS%29%2C New York

Roscoe Mitchell Quartet, 1981

Niklaus Troxler; Printer: Siebdrukerei Bosch AG

Not on View
black silhouette of saxophone player against blue background; black metal frame

%C2%A9 Niklaus Troxler %2F Artists Rights Society %28ARS%29%2C New York

Third Kind of Blue, 1987

Niklaus Troxler; Printer: Siebdrukerei Bosch AG

Not on View
purple, red and green abstract line drawing on white background; silver metal frame

%C2%A9 Niklaus Troxler %2F Artists Rights Society %28ARS%29%2C New York

Astor Piazzolla y su Quinteto, 1986

Niklaus Troxler; Printer: Siebdrukerei Bosch AG

Not on View
Mary on a throne holding baby Jesus who is standing on her PR leg; angel on either side of throne; Mary's PL hand rests on a book on knee; printed on sheet that is rounded at the top

Virgin Enthroned, early 16th century

Unknown

Not on View
reverse copy: roundel: seated female figure inside a cathedral interior at R; standing angel at woman's L side; floral leaf border; backward inscription at bottom center

The Annunciation, after 1610

Unknown; Artist: After Michel Le Blon

Not on View
farming scenes: at R, man stands near the center of a small field with a seed bag strapped around shoulder, spreading seeds; another man at LRC chops at one of the many trees along R edge; at L, a man plows a field with three horses, while a figure with a whip sits on the rear horse; a ram surrounded by clouds at center separates the two scenes

Month of March with Aries, From Twelve Months with Signs of the Zodiac, 1559

Monogrammist FB (Franz Brun)

Not on View
male figure swooning against a tree, looking dramatically to his R at a grotesque, decaying figure with skull-like face and long hair who pulls at his arm; hourglass at figure's feet

Death and the Foot Soldier, 1532

Attributed to Master ER; Artist: After Jacob Binck

Not on View
male figure wrapped in robes at center, holding staff with cross at top and image of lamb within oval; figure points an inscription with his PL hand on the unrolling, wind-blown scroll in his PR hand; stylized trees and boulders in background

St. John the Baptist, after 15th century

Unknown , Italian

Not on View
decorative pattern: two winged nude female figures with animal-like lower bodies flanking a vertical stem at center; each holds a twisted frond that curls, and swirls into larger leaf pattern

Ornament with Two Winged Female Half-Length Figures, 1537

Master of the Horse Heads, Netherlandish

Not on View
two standing women at left; leftmost woman has her hands over her face; rightmost woman looks up at legs of crucified Christ on cross; women wear dark and light blue and salmon robes; seated writing figure in LRC

Mourners at the Foot of the Cross, 20th century

Artist Unknown , 20th century

Not on View
cartoonish anthopomorphized toad; standing, with bow legs, with PL arm outstretched and foreshortened, smiling; wearing jacket and vest, knickers and shoes

Toad (Toad of Toad Hall?), 19th-20th century

Artist Unknown , 19th or 20th century

Not on View
man seated in profile at a table, resting his head on his hand at R; man at L leaning over bench across from table talking to seated man, holding a pitcher; other figures at R

Drinkers at a Table with Embracing Couples, after 1843

Unknown; Artist: After Charles-Émile Jacque (?)

Not on View
Bound volume; full leather over boards; in chemise; in slipcase (binding of the period); 172 woodcuts (11 full page), 39 woodcut inititals

Hypnerotomachia Poliphili (The Strife of Love in a Dream), 1499

Written by Francesco Colonna; Designer: Woodcut designs attributed to Benedetto Bordone and workshop; Designer: Typeface designed and cut by Francesco Griffo da Bologna; Printer: Aldus Manutius; Publisher: Aldus Manutius; Publisher: Leonardo Crasso; Book Binder: Huysburg Abbey

Not on View
old woman seated in 3/4 view wearing a black fur shawl and black headdress with veil down the back; hands in her lap; facing to the L of the picture plane; matted and in frame with four other prints

Rembrandt's Mother, late 18th-early 19th century

Costantino Cumano; Designer: after Rembrandt Harmensz. van Rijn

Not on View
abstract image; black ground; two biomorphic forms with crescent in URC; stick figure on "belly" of form at right

%C2%A9 A.R. Penck %2F Artists Rights Society %28ARS%29%2C New York

Communication, from "Expedition to the Holyland", 1983

A. R. Penck (Ralf Winkler); Printer: Burston Graphic Center, Jerusalem

Not on View
abstract image; printed in three colors--light orange, dark orange, black; light orange ground with scattered dark orange biomorphic forms; linear elements in black on top--stick figures and geometric shapes

%C2%A9 A.R. Penck %2F Artists Rights Society %28ARS%29%2C New York

Water Problems, from "Expedition to the Holyland", 1983

A. R. Penck (Ralf Winkler); Printer: Burston Graphic Center, Jerusalem

Not on View
justification page with list of plates; printed in blue

%C2%A9 A.R. Penck %2F Artists Rights Society %28ARS%29%2C New York

Justification page from "Expedition to the Holyland", 1983

A. R. Penck (Ralf Winkler); Printer: Burston Graphic Center, Jerusalem

Not on View
abstract image; printed in five colors--red, black, blue, green, yellow; predominately red; curving and loosely geometric forms; painterly style

%C2%A9 A.R. Penck %2F Artists Rights Society %28ARS%29%2C New York

The Weak Point, from "Expedition to the Holyland", 1983

A. R. Penck (Ralf Winkler); Printer: Burston Graphic Center, Jerusalem

Not on View
abstract image; printed in two colors--purple and black; black ground; geometric purple form with purple triangle in ULC; black circles, lines, S-curve, zigzags on top of purple form

%C2%A9 A.R. Penck %2F Artists Rights Society %28ARS%29%2C New York

The Opposition Wants to Overthrow the Government, from "Expedition to the Holyland", 1983

A. R. Penck (Ralf Winkler); Printer: Burston Graphic Center, Jerusalem

Not on View
Image of three pink tulips on a back ground; image is printed on the top half of the sheet

%C2%A9 Miklos Pogany

Three Doveman Tulips from Tropides Islands, 1981

Miklos Pogany

Not on View
a seated mother in profile holding a kneeling child in her lap; child is raising their hands to the mother's neck and the mother's head is bowed toward the child; small, abstracted tower in the background along R edge, behind child

%C2%A9 Artists Rights Society %28ARS%29%2C New York %2F ADAGP%2C Paris

War, Hated by Mothers (Woman and Child), 1927 (published 1948)

Georges Rouault

Not on View
black ink on off-white paper; road leading from bottom of image to small group of buildings; buildings have pointed roofs and one has chimney to right of center of image; trees to left side and in front of house has leaves blown to left; grass sketched in front of houses; faint lines of mountains in background; upper area of image blank

Coup de mistral, 19th-20th century

Artist Unknown , late 19th or early 20th century

Not on View
drawn image on yellowed paper; female figures in a landscape setting; seated figure in center with a floral necklace and draping garments; kneeling figure on left extends outstretched arms over seated figure; two semi-nude figures in background on right side; tree on left side; small hills dot the background on right and left edges; paper adhered to mat on top right and left edges

%C2%A9 Marshall Glasier

Untitled, 1943

Marshall Glasier

Not on View
black-and-white image; round cactus

%C2%A9 Estate of Jacques Hnizdovsky. All rights reserved.

Echinocactus, 1972

Jacques Hnizdovsky

Not on View

%C2%A9 Sam Gilliam %2F Artists Rights Society %28ARS%29%2C New York

Running Naked, 1991

Sam Gilliam

Not on View
two figures, right figure wearing a pink shirt, and holds PR arm around the neck of left figure; left figure bent forward, face obscured, with PL hand on arm of right figure

Copyright %C2%A9 2019 Darius Steward - All Rights Reserved.

Bare Arms (The Practice #2), 2019

Darius Steward

Not on View
Plate 6

Peresvet and Oslyabya, 1914

Natalia Sergeevna Goncharova; Publisher: V. N. Kashin, Moscow

Not on View
Plate 10

Angels and Airplanes, 1914

Natalia Sergeevna Goncharova; Publisher: V. N. Kashin, Moscow

Not on View
54 numbered pages and 52 illustrations by Goncharova, of which 9 are full-page; title printed in black; binding: glued wove paper wrappers. Lithographic reproduction of the author's handwritten Cyrillic text.

Gorod: Stikhi (The City: Verses), 1920

Natalia Sergeevna Goncharova; Author: Aleksandr Rubakin; Publisher: Aleksandr Rubakin , in Paris

Not on View
abstracted orange and salmon-colored flowers with brown and green stems and leaves; white and blue wash ground

%C2%A9 Anna Ticho %2F The Israel Museum

Flowers, 20th century

Anna Ticho

Not on View
seated man looking down, with PL hand on PL knee and PR foot under PL knee; man has beard and wears cap and jacket

%C2%A9 Anna Ticho %2F The Israel Museum

Portrait of a Man, 20th century

Anna Ticho

Not on View
abstracted view of domed buildings from a high vantage point; touches of blue and red; blue-grey ground (paper or pigment)

%C2%A9 Anna Ticho %2F The Israel Museum

Jerusalem, 20th century

Anna Ticho

Not on View
abstracted still life with rounded fruits and foliage in blue vessel at left

%C2%A9 Anna Ticho %2F The Israel Museum

Still Life, 20th century

Anna Ticho

Not on View
portrait of a dark skinned man with short hair

%C2%A9 Diane Victor

Smolder I, 2010

Diane Victor

Not on View
black ink on yellowed paper; image of single figure holding a mask over their face; knee-length robe cinched around the figure's waist; striped long-sleeved top worn under robe; PL leg crossed in front of PR; figure holds a pomegranate in PR hand; loosely sketched exterior background

%C2%A9 Sylvia Fein

Self-portrait with pomegranates/costume design, 1943

Sylvia Fein

Not on View
black lettering on white paper [FRIENDS OF THE ARTIST/ A SUITE OF SEVEN ETCHINGS AND/ LITHOGRAPHS BY BARBARA SWAN] at top center [IMPRESSIONS WORKSHOP BOSTON 1970] at bottom center

%C2%A9 Estate of Barbara Swan

Title Page, 1970

Barbara Swan

Not on View
Title, table of contents, a brief description of the printing process and a poem by Emily Dickenson; signed and numbered at bottom center

%C2%A9 Estate of Barbara Swan

Colophon, 1970

Barbara Swan

Not on View
line drawing of man seated with his legs crossed at the knee and his hands folded in his lap; he faces to the viewer's left

%C2%A9 Estate of Barbara Swan

Sigmund Abeles, 1970

Barbara Swan

Not on View
image of a man with dark frame glasses in repose; his arms are crossed over his chest and his legs are crossed at the knee and ankle

%C2%A9 Estate of Barbara Swan

Bernard Chaet, 1970

Barbara Swan

Not on View
image of a man's face in stark contrast; left side of his face is heavily shadowed and the right side is brightly lit

%C2%A9 Estate of Barbara Swan

Michael Mazur, 1970

Barbara Swan

Not on View
colored image of a man wearing a purple vest and holding a pipe and a light bulb; man is leaning back against pink and black striped and flowered wallpaper

%C2%A9 Estate of Barbara Swan

Arthur Polonsky, 1970

Barbara Swan

Not on View
a seated man with his hands folded between his legs; a disc hovers above his head

%C2%A9 Estate of Barbara Swan

Harold Tovish, 1970

Barbara Swan

Not on View
a man in black and white looking toward the viewer's right with his PL arm over the back of a chair; red sketches of nude figures packed together form the background

%C2%A9 Estate of Barbara Swan

Elbert Weinberg, 1970

Barbara Swan

Not on View
image of a woman looking between some glass vessels; woman has a white hat draped on her head

%C2%A9 Estate of Barbara Swan

Barbara Swan, 1970

Barbara Swan

Not on View
abstracted female nude figures standing and seated; largest figure has her arms on her head with elbows akimbo; figures are drawn with thick, black lines and colored with deep, warm tones; abstract background in blue and green

%C2%A9 Artists Rights Society %28ARS%29%2C New York %2F ADAGP%2C Paris

Autumn (Bathers), c. 1938

Georges Rouault

Not on View
sketch of two men's busts in profile facing the viewer's right; one man has on a flat cap hat and the other has slicked back hair and holds something between his teeth

%C2%A9 Artists Rights Society %28ARS%29%2C New York %2F ADAGP%2C Paris

Spectators at a Boxing Match, 20th century

André Albert Marie Dunoyer de Segonzac

Not on View
black and white image of a crow facing to the viewer's right; sight is round

%C2%A9 Estate of Leonard Baskin

Crow, 20th century

Leonard Baskin

Not on View
a man seen from the waist up, presumably seated at a table, with his PL hand on a black cat and a few stems of daylilies; interior scene; a mantle behind the man with a large image or mirror above it; sense of space within image or mirror is confused, with imagery of ballerinas, a boy seated on a couch and a group of figures in an exterior scene

%C2%A9 Peter Milton %2F Artists Rights Society %28ARS%29%2C New York

Daylilies, 1975

Peter Milton

Not on View
print on paper that looks like a black-figure style greek pot; image of five figures with spears hungting a boar with two white dogs; a small bird appears above boar and a large bird appears to the L of the hunting scene; decorative boarders surround scene

Vase Design, 1766-1785

Possibly Pierre-François Hugues

Not on View
illuminated page; words in a tan script along L side of page; floral arabesque drawn in a thin strip along R side in blue and gold with red details

Ave Maria, 15th century

Artist Unknown , French, 15th century

Not on View

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